May, 2018
- Hot Docs 2018: Review – King Lear (Point of View Magazine)
- Hot Docs 2018: Review – The Guardians (Point of View Magazine)
- Review: Breaking In (Scene Creek)
- Black Cop (Canada Now, Curzon Cinema)
April, 2018
- Event: Jacquot de Nantes with Chelsea Phillips-Carr (TIFF)
- Event: The Young Girls Turn 25 with Chelsea Phillips-Carr (TIFF)
- Event: One Hundred and One Nights with Ella Cooper, moderated by Chelsea Phillips-Carr (TIFF)
- Event: The World of Jacques Demy with Chelsea Phillips-Carr (TIFF)
- Review: Rampage (Scene Creek)
- vol. 6, issue 1: VARDA (cléo journal)
- Editors’ Note (with the editors of cléo)
- Hot Docs 2018 – Review: The Night of All Nights (Point of View Magazine)
- Hot Docs 2018 – Review: I’m Leaving Now/Ya Me Voy (Point of View Magazine)
- Hot Docs 2018 – Review: Love, Scott (Point of View Magazine)
- Hot Docs 2018 – Review: I, Dolours (Point of View Magazine)
- Hot Docs 2018 – Review: Warrior Women (Point of View Magazine)
- Hot Docs 2018 – Review: Hugo (Point of View Magazine)
- Hot Docs 2018 – Review: Over the Limit (Point of View Magazine)
- #MeToo and Documentaries (Point of View Magazine)
March, 2018
- Culture at a Distance: Ulrike Ottinger’s Johanna d’Arc of Mongolia (Kinoscope)
- Review: A Wrinkle in Time (Scene Creek)
- The Radical, Radiant, and Revelatory Cinema of Agnès Varda (TIFF, The Review; with the editors of cléo)
- Radical Empathy: The Films of Agnès Varda (TIFF; programmed with the editors of cléo)
- Book Review: Pink Slipped: What Happened to Women in the Silent Film Industries (PopMatters)
- Book Review: Agnès Varda between Film, Photography and Art (PopMatters)
- Book Review: The Stranger in the Woods (PopMatters)
- Review: Ready Player One (Scene Creek)
February, 2018
- The Haunted House Is Not What’s Scary About Winchester (PopMatters)
- Black Creek is a Supernatural Slasher That is as Racist as it is Poorly Made (Goomba Stomp)
- Is From Hollywood to Rose a Parody of Indie Film? (PopMatters)
January, 2018
- Little More Than A Temper Tantrum: On Ruben Östlund’s The Square (Another Gaze)
- Star Wars Dialogue (Mubi Notebook; contributor)
- Power, Performance, and Personhood: on Phantom Thread (Another Gaze)
- Comfort Food: Jerry Lewis Eats! (The Notebook | Mubi)
- Review: Film Stars Don’t Die in Liverpool (Scene Creek)
- Review : Hollow in the Land (Scene Creek)
December, 2017
- Review: Pyewacket (Scene Creek)
- 50 Years Later: What We Can Take From Valley of the Dolls (Goomba Stomp)
- POV Poll: The Best Documentaries of 2017 (Point of View Magazine; contributor)
- vol. 5, issue 3: HOT (cléo journal; editor)
- Barbra Streisand: Cinema of Attraction (cléo journal)
- Review: The Greatest Showman (Scene Creek)
- Notebook’s 10th Writers Poll: Fantasy Double Features of 2017 (Mubi; contributor)
November, 2017
- Review: I Love You Daddy (PopMatters)
- Poetry of the Apocalypse: The Films of Andrei Tarkovsky (Scene Creek)
- Rendezvous with Madness Review: Mad to be Normal (Scene Creek)
- Rendezvous with Madness Review: The Blood is at the Doorstep (Scene Creek)
- Review: Blade of the Immortal (Scene Creek)
- Review: Coco (Scene Creek)
- Review: Bombshell: The Hedy Lamarr Story (Goomba Stomp)
October, 2017
- Processing Trauma in ‘Gerald’s Game‘ (Goomba Stomp)
- Reelworld 17 Review: Abu (Scene Creek)
- Reelworld 17 Review: In Jesus’ Name: Shattering the Silence of St. Anne’s Residential School (Scene Creek)
- Review: Goodbye Christopher Robin (Scene Creek)
- Toronto After Dark Review: Sixty Minutes to Midnight (Scene Creek)
- Toronto After Dark Review: Poor Agnes (Scene Creek)
- Toronto After Dark Review: Rabbit (Scene Creek)
- Toronto After Dark Review: Tragedy Girls (Scene Creek)
September, 2017
- Why TIFF’s effort to cultivate women’s voices in cinema is only the beginning (The National Post)
- Review: The Time of Their Lives (The National Post)
- TIFF 2017 – Review: Luk’Luk’I (Cinema Scope)
- TIFF 2017 – Review: Novitiate (Cinema Scope)
- TIFF 2017 – Review: A Fantastic Woman (Cinema Scope)
- TIFF 2017 – Review: The Rider (Cinema Scope)
- TIFF 2017 – Review: The Ritual (Cinema Scope)
- TIFF 2017 – Review: The Breadwinner (Cinema Scope)
- TIFF 2017 – Review: Sweet Country (Cinema Scope)
- TIFF 2017 – Review: Victoria & Abdul (Cinema Scope)
- The Beguiled (Cinema Scope)
- TIFF 2017 – Review: Mary Shelley (Another Gaze)
- TIFF 2017 – Review: Le Redoutable (PopMatters)
- TIFF 2017 – Review: Faces Places/Visages Villages (PopMatters)
- TIFF 2017 – Review: mother! (PopMatters)
- TIFF 2017 – Review: The Shape of Water (PopMatters)
- TIFF 2017 – Review: Ta peau si lisse (PopMatters)
- TIFF 2017 – Review: Never Steady, Never Still (PopMatters)
- TIFF 2017 – Review: The Royal Hibiscus Hotel (PopMatters)
- TIFF 2017 – Review: Beyond Words (Scene Creek)
- TIFF 2017 – Review: Suburbicon (Scene Creek)
- TIFF 2017 – Reviews: Mary Shelley (Scene Creek)
- TIFF 2017 – Review: Brad’s Status (Scene Creek)
- TIFF 2017 – Review: Mademoiselle Paradis (Scene Creek)
- TIFF 2017 – Review: High Fantasy (Scene Creek)
- TIFF 2017 – Review: Hochelaga, Land of Souls (Scene Creek)
- TIFF 2017 – Review: Disappearance (Scene Creek)
- TIFF 2017 – Review: Our People Will Be Healed (Scene Creek)
- TIFF 2017 – Review: Caniba (Goomba Stomp)
- TIFF 2017 – Review: Let the Corpses Tan (Goomba Stomp)
- TIFF 2017 – Review: The Crescent (Goomba Stomp)
- TIFF 2017 – Review: Vampire Clay (Goomba Stomp)
- Review: Indivisibili (Goomba Stomp)
- TIFF 2017 Round Table Discussion (Sordid Cinema Podcast)
August, 2017
- Wild White West: Colonialism and Barbara Loden’s The Frontier Experience (cléo journal)
- Review: Wind River (Another Gaze)
- The Nature of Evil: Close-Up on Jean Renoir’s “The Testament of Dr. Cordelier” (The Notebook | Mubi)
- Review: Menashe (The National Post)
- Review: Brigsby Bear (The National Post)
- Review: Landline (The National Post)
- Review: The Battleship Island (The National Post)
- Review: Annabelle: Creation (Scene Creek)
- Review: Ingrid Goes West (Scene Creek)
- Review: The Hitman’s Bodyguard (Scene Creek)
- Review: The Only Living Boy in New York (Scene Creek)
- Episode 12: Erotic City feat. Chelsea Phillips-Carr (These Boys are Good Boys | Podcast)
July, 2017
- Cinematic Riots: Feminism and Surrealism in Germaine Dulac’s ‘La Coquille et le Clergyman’ (Another Gaze)
- Review: Girl’s Trip (The National Post)
- Review: From the Land of the Moon (The National Post)
- Review: Valerian and the City of a Thousand Planets (Scene Creek)
- Review: War for the Planet of the Apes (Scene Creek)
June, 2017
- Human Animals: The Radical Potentials of Marcel Carné’s “Drôle de drame” (Mubi Notebook)
- Review: The B-Sides: Elsa Dorfman’s Portrait Photography (Scene Creek)
- Review: The Hero (Scene Creek)
- Review: Beatriz at Dinner (Scene Creek)
May, 2017
- Hot Docs 2017 – Review: Maison du Bonheur (Point of View Magazine)
- Hot Docs 2017 – Review: Life to Come (Point of View Magazine)
- Hot Docs 2017 – Review: The Lives of Thérèse (Point of View Magazine)
- Hot Docs 2017 – Review: Spettacolo (Point of View Magazine)
- Hot Docs 2017 – Review: Eye Camera (Point of View Magazine)
- Hot Docs 2017 – Review: The Monster (Point of View Magazine)
- Hot Docs 2017 – Review: Ramen Heads (Point of View Magazine)
- Hot Docs 2017 – Review: Do Donkeys Act? (Point of View Magazine)
- Hot Docs 2017 – Review: The Quiet Zone (Point of View Magazine)
- Hot Docs 2017 – Review: Hobbyhorse Revolution (Point of View Magazine)
- Hot Docs 2017 – Interview: Selma Vilhunen (Point of View Magazine)
- Review: The Love Witch (PopMatters)
Earlier
- Review: Under the Skin (Science Fiction Film and Television Journal, 2016)
- Space Race: The Radical Potential of the Machine in Science Fiction (Conference Paper; Collapsing Constellations: Remapping Art, Science and the Planetary – York University; 2015)
- Morehshin Allahyari: Material Speculation (Exhibition and Panel; Trinity Square Video; 2015)
- Cinematic Translations: The Work of John Akomfrah (co-written with Barbara Mamabolo; University of Toronto, Innis Alumni, 2014)